Following stops in Freiburg and Houston/Texas, visitors can now view the exhibition “Franz Xaver Winterhalter – Painter in Her Majesty’s Service” at the Palais de Compiègne near Paris. MWW research associate Sophie Tauche went to see it in Freiburg and was impressed by the visually appealing displays. However, it didn’t offer a new perspective on the most famous portraitist of 19th-century high society.Read more
What Italian literature did Goethe read and collect? This is one of the many questions the PhD student Anne-Kathrin Gitter, currently investigating the Dante discourse in German-language literature of the 19th century, hoped to answer at this year’s MWW International Summer School in Weimar. In the following, she tells us what she discovered in the small Thuringian town and why she plans to return there soon.Read more
On 5th August 2016, Christine Tauber presented a public lecture as part of the MWW’s International Summer School in Weimar. The lecture was entitled: “How to build national monuments? Ambitious projects in Germany and France.” We asked the art historian about her favourite monument, the differences between monument traditions in Germany and France, and why it is so difficult to build national monuments today.
At the annual Future Day hosted by the Herzog August Bibliothek, pupils get to know the various working areas of the research institution in Wolfenbüttel. This year, the MWW project “Writers’ Libraries” received a visit from four inquistitive secondary-school students who dived into the world of books and demonstrated a knack for making them divulge the secrets of their former owners.
According to the Metzler Lexikon moderner Mythen (Lexicon of Modern Myths), in the modern age, almost “anything can become a myth”. The lexicon analyses a selection of people, characters and events which have acquired a mythical quality, from the 19th century to the present day. But how and where do new myths prevail over time? How can they assert themselves against already canonised myths, which often date back thousands of years? And how do they feed on such old myths, or instead, erase old sources of meaning?Read more
In mid-April, Marian Dörk gave a lecture in Weimar on The Visualisation of Cultural Data as part of the MWW workshop Libraries within the Library. In this interview, Dörk, a visualisation researcher, talks about what fascinates him about data, what expectations institutions approach him with and what is important to him when working on collaborations.Read more
As a research assistant on the MWW’s Text and Frame research project, Hanne Grießmann ordered a late-medieval prayer book to the reading room of the Herzog August library. She had no inkling of the brightly coloured, fantastical world she would find inside. Her blog article tells us of the mischievous, playful goings-on in the margins of this religious manuscript and what they reveal about the satirical side of the Middle Ages.
DH methods play an important role in the research projects at MWW. The DARIAH project offers helpful tools to researchers in this area. To learn more about them, MWW researchers Stefan Höppner (Weimar) and Timo Steyer (Wolfenbüttel) embarked on their first “DARIAH-DE Grand Tour” in Göttingen in mid-February 2016. A travel report
On 4th May 2016, Dietmar Dath will present his video lecture "FaustScienceFiction" in Weimar as part of the MWW’s "Text and Frame" research project. In this interview, Dath, who is a writer and cultural editor for the "Frankfurter Allgemeine Zeitung", explains how the required reading of Goethe’s Faust at school inspired him to explore Satanism, why the Faust myth is still very much alive in popular culture and how every few minutes its continued relevance is clear to see.
Few people today are familiar with Goethe’s libretto “Claudine of Villa Bella” – although parts of it were put to music by Beethoven, Brahms and Hugo Wolf. The 18-year-old Franz Schubert even composed a full-length opera which has unfortunately been lost. The Hessian composer Peter Müller didn’t fare much better; he sent his completed “Claudine” to Weimar in 1825 and waited in vain for two years before receiving a response.